So it was a big adjustment for all of us." "As an artist and a glass blower, your process isn't: you get a project brief, think about it for, like, absolutely no amount of time and try to make it in five hours. "It was fun in some ways but also really stressful, because it's not really how any of us work," Turner said. Sometimes the glass shatters, along with egos. Hornburg feels the series struck a chord by being authentic to the art form and simplistic in its execution, with passionate characters who stretch, cut and sculpt flaming-hot glass in weird and wonderful ways. Netflix doesn't typically release ratings, but executives have told Marblemedia the series had "really good numbers" when it came to viewers watching until the end, Hornburg said. Time magazine, for instance, called “Blown Away" "the best new creative contest since RuPaul’s Drag Race." And the New York Times declared: "It’s oddly low stakes, but all the glass making is extremely rad." "But essentially we created North America's largest hot shop." I'm sure if we knew what we had to pull off, we may have never tried," Hornburg, co-founder of Marblemedia, said with a laugh of the time his Toronto-based production company conceived the idea for the show. "It's one of those things where sometimes you're glad you don't know what you don't know. They "haven't had any injuries whatsoever." ![]() ![]() Safety "is always the number one priority" on set, Hornburg said, noting they have a paramedic on standby at all times and do careful rehearsals so the crew understands the boundaries on set. The heat is turned up even more, literally and figuratively, on "Blown Away," in which glass artists "fight fire with fire" as they compete for the chance to win $60,000 in prizes and the title of "best in blow."Įxecutive producer Matt Hornburg says they shot the series in Hamilton in a large industrial warehouse equipped with 10 furnaces as well as reheat ovens known as glory holes and cooling kilns.Īt the beginning of season 1 they found the temperatures intense and had to add more air conditioners and create further ventilation in the ceiling. But as long as you're smart and not careless, you're fine." "Yeah, you'll burn yourself occasionally. Glass blowing is dangerous if you're not paying attention and you're generally careless," the Toronto-based Turner said in an interview. "It's like driving: driving is dangerous if you're a dangerous driver. His answer: it's as risky the person doing it.Īs a Toronto-based glass artist and contestant on season 2 of "Blown Away" on Netflix, Turner makes his works through glass blowing, which involves manipulating molten mixtures with torches, stainless steel pipes, and furnaces as hot as 1,300 C. “It’s allowed us to do so much stuff that we were planning to do eventually, but like six, seven years in the future.TORONTO - Brad Turner is often asked how dangerous his career is. There were only like two or three galleries that we really with consistently, and so suddenly to have that global audience has just been brilliant,” he says. “The exposure that we gained was just massive obviously, and so it opened us up to a lot of people who hadn’t considered what we were doing, especially coming from the U.K. The boost to business has helped propel Walker’s career forward and given him the space to explore projects he’s always wanted to tackle. It’s been really good for everyone.” This includes Blowfish Glass Studio in Stourbridge, England, the hot shop and gallery owned by Walker’s partner, fellow glass artist Bethany Wood. “Every studio has had an increase in people wanting to learn, wanting to take classes and stuff like that. There’s probably more in central Seattle than there is in the whole of the U.K., but every studio has benefited ,” Walker says. ![]() “In the U.K., we don’t have many studios.
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