![]() Right click Phrase Generators in the track for more options.Ĭlick the little button after M S " =" on the track to color note by Chord/Scale/Out. You can now split the midi where you like, right click Convert to Relative form and save it as a custom phrase to the Phrase window. Or your own midi files/loops from a folder. You can drag any Midi Generators in from the Phrases window RapidComposer will fit any midi anywhere to chord/scale. RapidComposer > Import Midi > Select BB Chord Output track In Prefs > Output Chords set Enable, Complex Chords, write track to midi fileĥ. Load a UserTrack Template, most are on here ģ. ![]() ![]() , which is just the previous sequence rolled left 1 position.If you have some decent Virtual Instruments you can use RapidComposerLE or full version to create some great UserTracks.ġ. ), but starting in a different place, for example, Dorian mode is just, +2, +1, +2, +2, +2, +1, +2. All the modes are then just one cycle of offsets (relatively the previous values, +2, +2, +1, +2, +2, +2, +1. D Major) is just this fixed set of offsets with a specific start point. Major) is just a fixed set of offsets, and each key (e.g. This is a good starting point for experimentation, but its also worth realizing that a scale has a similar relationship to the chromatic scale - i.e. (If your calculated index goes "out of bounds" on your array, you can just modulo it back to the beginning - this is essentially what chord inversions are). For a major scale, the vi would automatically be minor. For example, a I–V–vi–IV would just mean setting i to follow the sequence 0, 4, 5, 3 (assuming zero based index in the array). A chord progression is then nothing more than a progression of starting points. For any diatonic scale, that will result is either a major, minor, or a diminished chords (but it will always be "right"). If you think of your scale as an array of pitches (where the first element is the root note of the scale, and the rest are in order), a chord is formed from any point in that that array just by adding more notes at fixed offset - for example your basic triad is always composed as the notes at i, i+2, and i+4. Unfortunately, I purchased Rapid Composer because I didn't know much music theory.īecause I didn't know much music theory. I'd like to add a bit of that functionality to my Reaktor ensemble. I use Rapid Composer a bit and chord progressions are integral to the program. That’s what we mean about the function of a dominantĬhord: its function (or, its purpose) is to move to the tonic chord." ( source) "centuries of music practice have created the circumstance that dominant chords I've read that chord progressions can be one way of doing that: What I'm looking for now are ways to create a larger sense of flow by using listeners' anticipation and expectation. I can evolve these textures slowly using the Turing machine or I can jump from one to another using pre-recorded clips in Ableton. This setup creates very interesting melodies, harmonies, and textures of 8 to 16 notes. My Reaktor ensemble is composed of 4 Turing machines feeding up to 8 MIDI tracks. I'm currently using Ableton to force Reaktor output to a musical scale and have experimented with different devices that create chords from single notes, like rscale pro.
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